This publication is an experimental study into how physical and digital distortion can entirely shift the perception of an image.

Conceptually, the zine explores the deconstruction of memory and feeling. By aggressively manipulating the original photography—using thermal effects, motion blur, and high-contrast color grading—the images are stripped of their context and rebuilt as pure atmosphere.

The final printed object explores how the intersection of raw materials, varied print techniques, and erratic formatting dictates how we consume visual information.








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